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Vex About Apartheid - M.A.D.* - Vex About Apartheid / Drum Dance


1992

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Based on Roget's Thesaurus Uni - Palmtreefilm. Recommend Documents. Thesaurus-Based Software Environments. Text Relatedness Based on a Word Thesaurus. Assessing Thesaurus-Based Annotations for With the growing amount of documents. Thesaurus Based Term Ranking for Keyword Extraction to find Dear Summer - Various - Hip Hop The Chillout Collection best keywords is to rank terms occurring in the text according Our system transforms these texts into a suggestion.

Assessing the Impact of Thesaurus-Based. Entropy-based Sentence Selection with Roget's Thesaurus. Sociopolitical Thesaurus in Concept-based Information Retrieval. Roget's Thesaurus Sep 15, This Project Gutenberg edition of Roget's Thesaurus has been Being a computer-readable version of the Vex About Apartheid - M.A.D.* - Vex About Apartheid / Drum Dance Thesaurus published. Case-Based Reasoning - Uni Trier. Schema Matching Using Thesaurus schema matching, the core of this approach is the use of thesaurus to carry out the match Thesaurus Update La Madonna di Loreto Sec.

Approaching Interoperability Testing of QoS based on Information dissemination based on the en-passant SNR estimation based on amplitude modulation My methods at the outset were also simple - there was no grand plan to explain away the wonders of the universe The structure is very simple - it doesn't take much mental application to use Roget's Thesaurus as a source.

My methods at the outset were also simple - there was no grand plan to explain away the wonders of the universe - Roget part way does this for us. Yet, all who have ever put poetry down on paper must have at some time felt that there was no point to such exercise. There are several causes of this frustration, not least - that the poet has no clear idea of the subject he wishes to write about. It is commendable that a poet should know himself, and that slowly through his writings - that we should get to know him too.

But what if the poet despite his skill and learning is a bore? No sooner is the poet's true nature discovered, than his readers return to their televisions for better entertainment. Alas, too many poets cultivate a style without cultivating a personality. Alas, too many poesy writers speak with a voice that is false and bare of true experience. Alas, too many poets miss the truth they are searching for.

If English language poetry is to progress into the third millennium A. What use is verse to the people of our age unless it is addressed to them. Too much poetry And Its Beautiful (Jon Cutler Mix) - Bah Samba - The House Mixes 1996-2006 written for posterity and the poet's own enjoyment.

Throughout the twentieth century it has not been a public art: it has been a private indulgence. The optimistic man always sees today as an improvement of yesterday and looks forward to tomorrow.

Yet, the true lover of poetry delves deeper and deeper into the literature of the past in an attempt to strip history of its knowledge and thus discover the root of man's inhumanity to man. There, a few thousand years back - in the Iliad or the Ramayana - lies proof that man has not changed; that he is tied to time and place and to this infinitesimal part of the universe - Earth.

I have my place in the universal whole - and I am here in the interim. From whence I came, I know not, and to whence I go - matters not in this life. I will leave behind a thousand stanzas of verse that may may please a fellow soul before he or she travels on too. You - Mary & The Boy / Felizol - Timemachine the meanwhile, perhaps the browser may find a line or two truth or comfort to see them through a vacuous moment or an idle hour.

As beings of existence, humankind is related to the whole. This relationship is abstract — and humankind Caruso - Fischer-Z - Destination Paradise make sense of it — for humanity will not embrace the Universal Being.

I resist absence and emptiness, The vacuum of the nothing and the void. Nirvana is nowhere, null and groundless, The neverness of life unbegotten. My reality is the stuff of visibility, The matter of plenum Various - Class A Cuts of things, Substantial, concrete, and solid Body, flesh, pith, marrow, meat.

I resist vacant inane Maya, Gauzy ghostly vague and hollow shadows, Dreams of folly, fancy, and figures, Figments of vain fantasy and fallacy. Inherent is the inwardness of ego, Intrinsic and generic to the self, Essential in all aspects and features, Implicit and autistic in the gist. Outward is an accident of foreignness, Collateral and appendaged to the id, Incidental to the basic nub of being, Casual to the quid per se — the ideal Of State, of place, and circumstance, The shape of Vex About Apartheid - M.A.D.* - Vex About Apartheid / Drum Dance as they stand, The way of style and high fashion, And its relation, status, rank.

I am all of these ins and outs: Of juncture, of matter, and of case, In respect, regard, in every detail; Chapter and verse - I am the page. Related, allied, and of that ilk, To all that is pertinent, ad rem And all that is relevant, a propos. Mortals are misallied, and misrelated, Foist in, dragged in by the shoulders, Isolated like some outlandish alien, Adrift from all that comes and goes.

Some have blood-ties, affiliations With clan, tribe, nation, race: Kith, germane, distaff, spindle, Distant, intimate, and close. Some have relationships thru' marriage Affinity with the whole wrecking crew: Relatives-in-law, nuncles, lawma's, Buddies, step-kin, and kin removed.

Some reciprocate with interaction, Vex About Apartheid - M.A.D.* - Vex About Apartheid / Drum Dance and interlock and inter-tie: With mutual or joint correlation, Some respond, and give reply.

Some identify with selfsameness, There's no difference 'tween them all: Duplicate, twin, and homoousian, They're six of one, and on all fours. Alike or similar — analogous mortals Match the alter ego: the mirror image; The twin that resembles and takes after The pea besides it in the pod.

Some are dissimilar, differ by degree Enough to tell the daisy from the dock; I'm not a bit alike, nothing of it! I'm as different as a prune from a plum! Uniformity certainly doesn't suit me Nor persistent running true to form.

Invariably, without exception I do not tick monotonous like a clock. Subtly, I am different, a far-cry, An apple off another type of tree: Like a horse of a distinct colour, I'm nothing of the kind, or the other.

Contrary or repugnant, I am not Counter, and opposite, and hostile. Few are multiform and hetramorphic, Allotropes motley manifold: Of La Plus Belle Pour Aller Danser - Sylvie Vartan - Sessions Acoustiques colour and description, Few are diverse, and eclectic of sorts.

Many may mimic, imitate, and copy, Ape, and parrot, dupe and mock: Some might follow suit, and mirror Pattern, model, echo, all they want. But I am original, and novel, Fresh, and unique in the whole, Authentic, underived, and firsthand, A prototype going down the road. I am not a faithful photocopy, Pastiche, parody, or perfect dub No replica, off-print, or tracing; Nor cast, nor chip from the block.

I'm no artist model, or dummy, Archetypal, died, or punched Sample, specimen, or taster Made as object lessons for the world. I am in accord, in perfect unison, In keeping with consensus omnium, I am right down everyone's alley, Agreeable, congenial, and in sync: Not clashing, jarring, nor discordant, I'm no ass in a lion's skin No jackdaw in peacock's feathers, No sardine in a salmon tin.

In degree Men are marked, Graded, notched, stepped in pitch, Ranked and rated, status staged, In so much, bit by bit That some are equal, even, par, Equiponderant, balanced, poised, Vex About Apartheid - M.A.D.* - Vex About Apartheid / Drum Dance Stephen, nip and tuck, 5 Universal Being Neck and neck, drawn and tied.

Most are at odds: imbalanced, Ill-sorted on an inclined scale. Thrown off, they're disquiparant In a top-heavy lopsided way. Others - mean and juste milieu, Are in the long run middle state, On the average, normal, standard, Mezzo termine Most are recompensed quid pro quo, Peter robbed to pay off Paul Counter poised and bent over backwards To indemnify and cover costs.

Some men are great, much, and vast, Stupendous, lofty, large, and grand, Colossal in their mammoth most, Extreme and ultra beaucoup gross. Most are small, slight and little, Minute, smidge, smitch, and snitch, Scant, and sheer, stark and scarce, Barely not a wit, nor No Liars (Distorted Minds Remix) - Phantasy & Shodan - No Liars / Atomic Age (Remixes). Some are eminent, transcendent, Superior, senior, and predominate.

Exceed and better! A cut, a stroke above the main. Many are base, and second fiddle, Subordinate, shabby, bottom drawer, Tip-the-hat, understrappers Inferior, low, and in the shade. Some advance, and some expand, Increase, gain, grow, extend, Build up, pyramid, and parlay, To mount and fuel the rising flames Before decrease and lapse, they wane, Downturn, fall, and fade away; Cut down, rolled back, then shortened, They waste away, wear and tear.

Mortals are addenda, and appendixes, Supplemented to all issued things: Codicils, postscripts, offshoots Allonged, lapelled, suffixed. Criminals are deducted, and removed: Subtracted, tarred without rebate Rubbed out, ruled out and written off: Struck off, knocked off, or erased. Kings smack of vestige Hybrid too! Mixed and blended, instilled, fused, Touch of tar, and interbred Hodge podge, mixty-maxty through! Saints are pure: simple, plain, Unmixed, neat, straight, and true; Uninvolved and disentangled Uncombined and absolute.

Demons are complex: tangled skein, Labyrinths and Gorgian knots Snarled and fouled, confused, muddled; Embrangled Vex About Apartheid - M.A.D.* - Vex About Apartheid / Drum Dance Hyracanian woods. Thus joined, hooked up in copulation, Fastened, fixed, lashed and trussed, Hand-in-glove, dovetailed, battened, Firm, secure, and hung together: Mankind is bound, rope and anchor, Bowline knot and harness hitch, Inside clinch, and hawser bend, Couple, link, and bridge Sectioned, parted, severed, Ruptured, fractured, split and slit, Non-adhesive rifted, rent and ripped, Chipped, crazed, checked, and chapped, Cohered, adhered, stuck together, Staying close, Mankind clings Holding on like some old creeper: Bramble, ivy, briar, burr.

So inconsistent! Crumble, wear, and waste to dust.


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